The Great Gatsby Essay -- Literary Analysis, F. Scott Fitzgerald

The huge Gatsby as a Representative of the shaft AgeThe notorious portrayal of the 1920s is often characterized as an succession of abundant prosperity, lavish lifestyles, and new suppurated philosophies. This image, however, was only the surface of a skewed decade change with deep cultural discord. Underneath solely the glitz and glamour of the racy flappers and the fiery jazz bands was a dueling contend of old school niminy-piminy focuss versus new aged the States (Mintz). This glorious jazz age, as Mr. Fitzgerald put it himself, was an age of miracles, and age of art, an age of excess, and it was an age of satire (Sickles). After WWI ended in 1918, The American golf-club experienced an abrupt age of economic and cultural miracles (McDougal Littell Inc 425). What was once a country in great turmoil and despair had rapidly amaze a country rising into power, wealth, and prosperity. With this great change also came an colossal transformation of the American way of life (4 12). Fitzgeralds novel The Great Gatsby captured this transformation exceptionally well with its representation of east egg and air jacketside egg, as symbols of societies ever-changing cultural views (Fitzgerald 101). Fitzgeralds eggs were two work masses in juvenile Yorks Long Island Sound that were set-apart by a small bay of water. Although they were only a poor distance away from each other, the two eggs served as affectionate barriers which were not to be crossed (9). The east egg was reserved for New Yorks aristocratic social class that had been brought up in the pre-war Victorian era. It represented the many wealthy family chains who wanted to keep their elite social status and way of life the same, like how it was before WWI (10). The west egg, however, was home to a new breed of Ame... ...s. Tom and Daisy showed their true colors, by using their social status and the power of money to bail them bulge of the inevitable truth their cowardice was to blame for Myrtle and Gatsbys prematurely deaths (Fitzgerald 187). Instead of showing Mr. Gatsby the decency of appearing at his funeral, they simply moved to some other home to forget their shameful past (172). Every Saturday Jay Gatsby threw elaborate parties filled with crowds of people, yet at his funeral none of his friends were there (Richards). This coincided with the 1920s hedonistic way of life. None the less, Gatsby believed in the green light, the orgastic future that family by year recedes before us tomorrow we will run faster, stretch step to the fore our arms farther. And one fine morning- So we beat on. Boats against the current, borne screening ceaselessly into the past (Nick Carraway, qtd. in Fitzgerald 189).